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biointerventions
  • about
  • actions
  • interventions
  • biointerventions
  • installations
  • objects
  • drawings
  • videos
  • exhibitions
  • publicity
  • publishing
  • essays
  • news
  • contact
EN / CZ


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symbiotic art
symbiotic art

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

bio interventions
bio interventions

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

bio interventions
bio interventions

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

bio interventions
bio interventions

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

oh brother
oh brother

Inter-species Intervention, detail. GASK, "Oh Brother" installation, 2015  

oh brother
oh brother

Intervention, Mixed media object: 

oh brother
oh brother

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oh brother
oh brother

Oh Brother, detail from a GASK 2015 installation

Snugglesnore
Snugglesnore

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

snugglesnore
snugglesnore

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

Urbiotys
Urbiotys

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

urbiotys
urbiotys

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

Oh my god, your purse is seriously ill
Oh my god, your purse is seriously ill

Hladík’s series of symbiotic reliquaries began to take shape in 2006. These objects are co-created with the assistance of Canadian wildlife. After exposing his semi-finished objects to random attacks of black bears, fishers, martens, raccoons, birds and insects in the outdoors, he gathers these marked/ mangled remnants and engages in part preservation, part restoration work in his studio. The partially destroyed objects are then enhanced and complemented by additional natural elements, entropic drawings, vintage ready-mades and decorative elements. When this elaborate embalming ritual is accomplished, the final “relic” is then entombed in a protective museum display. 

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